| Diff | |||||||||
| 1 |
Enter in canter Halt. Immobility. Salute facing the President of Jury. |
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| Movements in walk | |||||||||
| 2 | Walk in a straight line (min. 10m) | ||||||||
| 3 | Full pirouette on right rein | ||||||||
| 4 | Full pirouette on left rein | ||||||||
| 5 | Halt. Rein back (min. 6 steps and max. 10 steps) and exit at walk | ||||||||
| 6 | Half pass to the right (min. 10m) | ||||||||
| 7 | Half pass to the left (min. 10m) | ||||||||
| Movements in trot | |||||||||
| 8 | Perform a 3 loop serpentine | ||||||||
| 9 | Two leg yields, one each side (min. 10m each) | ||||||||
| 10 | Medium trot (min. 15m) | ||||||||
| 11 | Halt, rein back 6 steps, immediately canter to the right lead. | ||||||||
| Movements in canter | |||||||||
| 12 | Describe 3 circles to the right: 1st circle (20m) must be performed at extended canter; 2nd (15m) medium canter; 3rd (10m) collected canter. All the circles must begin and finish at the same point. | ||||||||
| 13 | Flying change | ||||||||
| 14 | Describe 3 circles to the left: 1st circle (20m) must be performed at extended canter; 2nd (15m) medium canter; 3rd (10m) collected canter. All the circles must begin and finish at the same point. | ||||||||
| 15 | Describe 2 circles with the same diameter (max. 10m) to describe a figure of "8" with flying change. | ||||||||
| 16 | Half turn to one of the hands | ||||||||
| 17 | Flying change | ||||||||
| 18 | Half turn to the other hand | ||||||||
| 19 | Change of canter on three sides of arena. The canter must be extended on the longest side of the arena, collected on the short side, and extended again on the next long side. | ||||||||
| 20 | Increase speed and stop. Proceed in canter | ||||||||
| 21 | Describe a serpentine with 4 loops, with flying changes at every crossing of the center line. | ||||||||
| 22 | Center line. Halt, immobility. Salute. | ||||||||
| Leave the arena in free walk | |||||||||
| 23 | Paces - Freedom and regularity | ||||||||
| 24 | Impulsion - Desire to move forward, elasticity of the steps, suppleness of the back and engagement of the hind quarters. | ||||||||
| 25 | Submission - Attention and obedience, lightness and ease of the movements, acceptance of contact | ||||||||
| 26 | Rider - Position and seat of the rider | ||||||||
| 27 | Artistic mark - Music and sequence | ||||||||
| 1st error: -5 pts | |||||||||
| 2nd error: -5 pts | |||||||||